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Cantar-X
Aaton's legendary ergonomics applied to Digital Audio Recording.
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Cantarem
Eight to sixteen channel Cantar remote control.
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Tarkan
Cantar routing and metadata remote controller.
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Majax
Audio track meta-data management.
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Arcan
Eight to sixteen channel Cantar remote control.
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Through its work on the synchronisation of sounds and images
with its time-marking system called AatonCode ,
Aaton has always been attuned to the needs of sound mixers.
Our first machine in the hands of sound mixers appeared in
1980, called OriginC+
it is used to carry around and load the time of day and
date into all time recording devices working together on
location e.g. Nagras, DATs, HDD recorders, and
Panavision/Arri/Aaton Cameras.
Then came a sound recorder devoted product called GMT-S, a small low power high precision time keeper and Smpte generator designed to replace the internal clocks of sound recorders well known to be not accurate enough and suffering from abrupt TC jumps when changing batteries.
In 1997 the InDaw audio workstation was introduced, it is todate the most important Aaton contribution to the art of sound for film and video.
It offers an automatic slate detector and ultrafast seek & sync delays which tremendously speed-up the audio syncing process. It also solves all the fps/sample-rate/Smpte standard mismatches that post-prodution audio engineers have to handle.
The next Aaton machine designed for sound mixers is Cantar a lightweight very low power 8 track mixer/recorder of exceptional ergonomical design for both over the shoulder and cart use. With our past experience and success in the manufacture of 16 and 35 mm, cameras sound mixers will get what we have already provided for their comrades on the picture side. That is to say, a tool that combines the highest performances and reliability in electronic design, has very low power consumption, and is rugged to the point it can still work under pouring rain.
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